Dramatism

 

In other interpretations of the imaginative and the real concept of thought, Castañeda chooses to use geometry and this, in blocks, we see multitudes of beings suffering the pain of their loneliness and the sadness of genocide.

 

The sculptor is only a witness. He remains separate and does not share in his suffering. He only leaves terrible cruel testimonies of how it is a true reality and now a fragile fantasy or an elusive shadow of criticism or moral crisis.